Now Playing Tracks

officialannakendrick:

doctorbuggs:

insectious:

insectious:

Remember my pet caterpillar Shane? Found him at church during a sermon about Satan XD. He was such a fun pet in his larval stage. He used to love to swing from my hair.

Then everything changed when he pupated. He never touched me. He just spent several months looking and acting like a turd

But it was worth it! Look at him now! He’s so fluffy I’m gonna die!! And the friendly disposition has returned! He sits on my shoulder watching The Sing Off with me. Also, he’s a she! and she just laid eggs! I can’t wait for the 2nd generation!

this dude got his own pokemon

catbountry:

robotlyra:

stevenwallaby:

claudefelixfloor:

711kid:

what the fuck

this is the scariest shit i’ve ever seen in my life

This is so cool. Eat Otomo Yoshihide’s heart out.

I’m used to associating this sort of heavy creepy distortion type audio as being achieved by internal studio mixing. Picking sections, warping them, reversing, repeating, all that sort of thing done with the board tools and programming suites. I didn’t stop to think that the same sort of effects could be achieved PHYSICALLY by fucking with the playback tools and the storage mediums themelves. It’s incredibly clever, especially when they introduce the cut-apart and reconstructed vinyl platters, it becomes the audio equivalent of cut-paste collaging or magnetic poetry. It takes something as ethereal and insubstantial as music, and makes it as tangible as sculpture.

Whoa.

(Source: ipissedinyourmountaindew)

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